托福口语真题范文 月球旅行 6月5日托福考试阅读真题回顾一览

托福口语真题范文 月球旅行 6月5日托福考试阅读真题回顾一览很多朋友对这方面很关心，蜕变培训网整理了相关文章，供大家参考，一起来看一下吧！

本文目录一览：

• 1、托福口语真题范文 月球旅行
• 2、托福TPO阅读真题之Cave Art in Europe
• 3、6月5日托福考试阅读真题回顾一览

托福口语真题范文 月球旅行

您好，我是专注留学考试规划和留学咨询的小钟老师。留学申请的每一步都充满挑战，我在这里为您提供从留学目的地选择到申请材料准备的全方位支持。您的留学梦想，我们一同实现，敬请访问！
想要事半功倍提升托福口语我们需要有的放矢地进行针对性练习，而练习的绝佳素材除了TPO，最不可或缺、需要好好把握的就是托福口语真题。托福独立口语部分也会经常考到一些比较有意思的真题，比如下面这题问考生是否愿意去月球旅行的，这类题目看似有趣，实则不好处理，一起来看看这道题的高分回答和相关重点勾勒吧!
If you had the opportunity to travel to the moon, would you choose to go? Why?如果你有机会去月球旅行，你会选择去嘛?
I would definitely choose to go to the moon. Nearly four decades have passed since humans last walked on the moon and we've talked about going back ever since.
Just imagine, if you weighed 100 kg on Earth, you would feel like you only weighed 17 kg when on the moon. You would be able to jump six times further and carry objects six times as heavy. In fact, if you had wings attached to your arms, you could even fly around inside a dome on the moon, just from your muscle power. What a place to visit!
And one other cool fact. Did you know that there is no wind on the moon? So all your footsteps will stay there forever, unless of course somebody else stands on top of them! It’s like having your foot cast in stone there forever! If you could go there, be sure to take plenty of photographs to show folks back home.
我一定会选择去月球。自从人类上次登上月球以来，已经过去了近四十年，从那时起我们就不断地想再次回去。
试想一下，如果你在地球重达100公斤，你在月球上感觉自己只有17公斤重。你可以跳六倍远，并携带六倍重的物体。事实上，如果你的手臂上有翅膀，你甚至可以在月球上的一个圆顶里环绕飞行，仅仅用因为你的肌肉力量。多酷多帮的地方啊!
还有一个很酷的现象。你知道月球上没有风吗?所以你所有的脚步将永远留在那里，除非其他人站在他们的上面!就像你的脚步被永远浇铸在石头上!如果你能去那里，一定要拍很多照片带回家炫给人们看。
笔记
Outline
definitely go to the moon 当然会去! R1: want to experience weightlessness 想体验失重感 特别酷! R2: there is no wind 月球上没有风
Vocabulary
dome 圆屋顶 半球形 footsteps 脚步 脚印 cast in stone 坚如磐石 板上定钉
看完了这篇If you had the opportunity to travel to the moon, would you choose to go? Why?的托福口语真题，是不是感觉亚历山大?其实，托福考试中出现这样的题毕竟还是少数，真碰见了大家也不必惊慌，可以像这篇回答的作者一样调动所有知识储备，也可以结合自身经历与想法灵活变通。
我希望以上的解答能为您的留学规划添砖加瓦。留学之路虽曲折，却不孤单。如有更多疑惑或需要进一步了解，我们的官方网站随时欢迎您。那里有更详尽的留学资讯和专家团队的一对一指导，助您顺利走上留学之路。期待与您的每一次相遇，祝申请顺利！

托福TPO阅读真题之Cave Art in Europe

下面是一篇托福TPO阅读真题，这篇托福阅读真题的主要内容是关于欧洲的岩洞艺术的相关信息。欧洲的岩洞艺术已经有几万年的历史了，这些岩洞艺术反映出了当初人们的什么文化，这些艺术有什么作用呢?下面是详细内容。

The earliest discovered traces of art are beads and carvings, and then paintings, from sites dating back to the Upper Paleolithic period. We might expect that early artistic efforts would be crude, but the cave paintings of Spain and southern France show a marked degree of skill. So do the naturalistic paintings on slabs of stone excavated in southern Africa. Some of those slabs appear to have been painted as much as 28,000 years ago, which suggests that painting in Africa is as old as painting in Europe. But painting may be even older than that. The early Australians may have painted on the walls of rock shelters and cliff faces at least 30,000 years ago, and maybe as much as 60,000 years ago.

The researchers Peter Ucko and Andree Rosenfeld identified three principal locations of paintings in the caves of western Europe: (1) in obviously inhabited rock shelters and cave entrances; (2) in galleries immediately off the inhabited areas of caves; and (3) in the inner reaches of caves, whose difficulty of access has been interpreted by some as a sign that magical-religious activities were performed there.

The subjects of the paintings are mostly animals. The paintings rest on bare walls, with no backdrops or environmental trappings. Perhaps, like many contemporary peoples, Upper Paleolithic men and women believed that the drawing of a human image could cause death or injury, and if that were indeed their belief, it might explain why human figures are rarely depicted in cave art. Another explanation for the focus on animals might be that these people sought to improve their luck at hunting. This theory is suggested by evidence of chips in the painted figures, perhaps made by spears thrown at the drawings. But if improving their hunting luck was the chief motivation for the paintings, it is difficult to explain why only a few show signs of having been speared. Perhaps the paintings were inspired by the need to increase the supply of animals. Cave art seems to have reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing.

The particular symbolic significance of the cave paintings in southwestern France is more explicitly revealed, perhaps, by the results of a study conducted by researchers Patricia Rice and Ann Paterson. The data they present suggest that the animals portrayed in the cave paintings were mostly the ones that the painters preferred for meat and for materials such as hides. For example, wild cattle (bovines) and horses are portrayed more often than we would expect by chance, probably because they were larger and heavier (meatier) than other animals in the environment. In addition, the paintings mostly portray animals that the painters may have feared the most because of their size, speed, natural weapons such as tusks and horns, and the unpredictability of their behavior. That is, mammoths, bovines, and horses are portrayed more often than deer and reindeer. Thus, the paintings are consistent with the idea that the art is related to the importance of hunting in the economy of Upper Paleolithic people. Consistent with this idea, according to the investigators, is the fact that the art of the cultural period that followed the Upper Paleolithic also seems to reflect how people got their food. But in that period, when getting food no longer depended on hunting large game animals (because they were becoming extinct), the art ceased to focus on portrayals of animals.

Upper Paleolithic art was not confined to cave paintings. Many shafts of spears and similar objects were decorated with figures of animals. The anthropologist Alexander Marshack has an interesting interpretation of some of the engravings made during the Upper Paleolithic. He believes that as far back as 30.000 B.C., hunters may have used a system of notation, engraved on bone and stone, to mark phases of the Moon. If this is true, it would mean that Upper Paleolithic people were capable of complex thought and were consciously aware of their environment. In addition to other artworks, figurines representing the human female in exaggerated form have also been found at Upper Paleolithic sites. It has been suggested that these figurines were an ideal type or an expression of a desire for fertility.

Paragraph 1: The earliest discovered traces of art are beads and carvings, and then paintings, from sites dating back to the Upper Paleolithic period. We might expect that early artistic efforts would be crude, but the cave paintings of Spain and southern France show a marked degree of skill. So do the naturalistic paintings on slabs of stone excavated in southern Africa. Some of those slabs appear to have been painted as much as 28,000 years ago, which suggests that painting in Africa is as old as painting in Europe. But painting may be even older than that. The early Australians may have painted on the walls of rock shelters and cliff faces at least 30,000 years ago, and maybe as much as 60,000 years ago.

1.The word “marked” in the passage is closest in meaning to

○Considerable　　○Surprising　　○Limited　　○Adequate

2.Paragraph 1 supports which of the following statements about painting in Europe?

○It is much older than painting in Australia.

○It is as much as 28,000 years old.

○It is not as old as painting in southern Africa.

○It is much more than 30,000 years old.

Paragraph 2：The researchers Peter Ucko and Andree Rosenfeld identified three principal locations of paintings in the caves of western Europe: (1) in obviously inhabited rock shelters and cave entrances; (2) in galleries immediately off the inhabited areas of caves; and (3) in the inner reaches of caves, whose difficulty of access has been interpreted by some as a sign that magical-religious activities were performed there.

3.The word “principal” in the passage is closest in meaning to

○Major　　○Likely　　○Well protected　　○Distinct

4.According to paragraph 2, what makes some researchers think that certain cave paintings were connected with magical-religious activities?

○The paintings were located where many people could easily see them, allowing groups of people to participate in the magical-religious activities.

○Upper Paleolithic people shared similar beliefs with contemporary peoples who use paintings of animals in their magical-religious rituals.

○Evidence of magical-religious activities has been found in galleries immediately off the inhabited areas of caves.

○The paintings were found in hard-to-reach places away from the inhabited parts of the cave.

Paragraph 3：The subjects of the paintings are mostly animals. The paintings rest on bare walls, with no backdrops or environmental trappings. Perhaps, like many contemporary peoples, Upper Paleolithic men and women believed that the drawing of a human image could cause death of injury, and if that were indeed their belief, it might explain why human figures are rarely depicted in cave art. Another explanation for the focus on animals might be that these people sought to improve their luck at hunting. This theory is suggested by evidence of chips in the painted figures, perhaps made by spears thrown at the drawings. But if improving their hunting luck was the chief motivation for the paintings, it is difficult to explain why only a few show signs of having been speared. Perhaps the paintings were inspired by the need to increase the supply of animals. Cave art seems to have reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing.

5.The word “trappings” in the passage is closest in meaning to

○Conditions　　○Problems　　○Influences　　○Decorations

6. Which of the sentences below best expresses the essential information in the highlighted sentence in the passage? Incorrect choices change the meaning in important ways or leave out essential information.

○Upper Paleolithic people, like many contemporary peoples, believed that if they drew a human image in their cave art, it would cause death or injury.

○Many contemporary people believe that the drawing of a human image can cause death or injury, so they, like Upper Paleolithic people, rarely depicted human figures in their cave art.

○If Upper Paleolithic people, like many contemporary peoples, believed that the drawing of a human image could cause death or injury, this belief might explain why human figures are rarely depicted in cave art.

○Although many contemporary peoples believe that the drawing of a human image can cause death or injury, researchers cannot explain why Upper Paleolithic people rarely depicted human figures in their cave art.

7.According to paragraph 3, scholars explained chips in the painted figures of animals by proposing that

○Upper Paleolithic artists used marks to record the animals they had seen

○the paintings were inspired by the need to increase the supply of animals for hunting

○the artists had removed rough spots on the cave walls

○Upper Paleolithic people used the paintings to increase their luck at hunting

8.Why does the author mention that Upper Paleolithic cave art seemed to have “reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing”?

○To argue that Upper Paleolithic art creased to include animals when herds of game became scarce

○To provide support for the idea that the aim of the paintings was to increase the supply of animals for hunting

○To emphasize the continued improvement in the quality of cave art throughout the Upper Paleolithic period

○To show the direct connection between the decrease in herds of game and the end of the Upper Paleolithic period

Paragraph 4：The particular symbolic significance of the cave paintings in southwestern France is more explicitly revealed, perhaps, by the results of a study conducted by researchers Patricia Rice and Ann Paterson. The data they present suggest that the animals portrayed in the cave paintings were mostly the ones that the painters preferred for meat and for materials such as hides. For example, wild cattle (bovines) and horses are portrayed more often than we would expect by chance, probably because they were larger and heavier (meatier) than other animals in the environment. In addition, the paintings mostly portray animals that the painters may have feared the most because of their size, speed, natural weapons such as tusks and horns, and the unpredictability of their behavior. That is, mammoths, bovines, and horses are portrayed more often than deer and reindeer. Thus, the paintings are consistent with the idea that the art is related to the importance of hunting in the economy of Upper Paleolithic people. Consistent with this idea, according to the investigators, is the fact that the art of the cultural period that followed the Upper Paleolithic also seems to reflect how people got their food. But in that period, when getting food no longer depended on hunting large game animals (because they were becoming extinct), the art ceased to focus on portrayals of animals.

9.According to paragraph 4, scholars believe that wild cattle, horses, and mammoths are the animals most frequently portrayed in cave paintings for all of the following reasons EXPECT:

○These animals were difficult to hunt because their unpredictable behavior.

○People preferred these animals for their meat and for their skins. 蜕变培训网

○The painters admired the beauty of these large animals.

○People feared these animals because of their size and speed.

10.According to paragraph 4, which of the following may best represent the attitude of hunters toward deer and reindeer in the Upper Paleolithic period?

○Hunters did not fear deer and reindeers as much as they did large game animals such as horses and mammoths.

○Hunters were not interested in hunting deer and reindeer because of their size and speed.

○Hunters preferred the meat and hides of deer and reindeer to those of other animals.

○Hunters avoided deer and reindeer because of their natural weapons, such as horns.

11.According to paragraph 4, what change is evident in the art of the period following the Upper Paleolithic?

○This new art starts to depict small animals rather than large ones.

○This new art ceases to reflect the ways in which people obtained their food.

○This new art no longer consists mostly of representations of animals.

○This new art begins to show the importance of hunting to the economy.

Paragraph 5：Upper Paleolithic art was not confined to cave paintings. Many shafts of spears and similar objects were decorated with figures of animals. The anthropologist Alexander Marshack has an interesting interpretation of some of the engravings made during the Upper Paleolithic. He believes that as far back as 30.000 B.C., hunters may have used a system of notation, engraved on bone and stone, to mark phases of the Moon. If this is true, it would mean that Upper Paleolithic people were capable of complex thought and were consciously aware of their environment. In addition to other artworks, figurines representing the human female in exaggerated form have also been found at Upper Paleolithic sites. It has been suggested that these figurines were an ideal type or an expression of a desire for fertility.

12.According to paragraph 5, which of the following has been used as evidence to suggest that Upper Paleolithic people were capable of complex thought and conscious awareness of their environment?

○They engraved animal figures on the shafts of spears and other objects.

○They may have used engraved signs to record the phases of the Moon.

○Their figurines represented the human female in exaggerated form.

○They may have used figurines to portray an ideal type or to express a desire for fertility.

Paragraph 3：The subjects of the paintings are mostly animals. The paintings rest on bare walls, with no backdrops or environmental trappings. Perhaps, like many contemporary peoples, Upper Paleolithic men and women believed that the drawing of a human image could cause death of injury, and if that were indeed their belief, it might explain why human figures are rarely depicted in cave art. Another explanation for the focus on animals might be that these people sought to improve their luck at hunting.█ This theory is suggested by evidence of chips in the painted figures, perhaps made by spears thrown at the drawings. █ But if improving their hunting luck was the chief motivation for the paintings, it is difficult to explain why only a few show signs of having been speared. █ Perhaps the paintings were inspired by the need to increase the supply of animals. Cave art seems to have reached a peak toward the end of the Upper Paleolithic period, when the herds of game were decreasing. █

13.Look at the four squares [█] that indicate where the following sentence could be added to the passage.

Therefore, if the paintings were connected with hunting, some other explanation is needed.

Where would the sentence best fit?

14.Directions: An introductory sentence for a brief summary of the passage is provided below. Complete the summary by selecting the THREE answer choices that explain the most important ideas in the passage. Some sentences do not belong in the summary because they express ideas that are not presented in the passage or are minor ideas in the passage. This question is worth 2 points.

Upper Paleolithic cave paintings in Western Europe are among humanity’s earliest artistic efforts.

Answer choices

○Researchers have proposed several different explanations for the fact that animals were the most common subjects in the cave paintings.

○The art of the cultural period that followed the Upper Paleolithic ceased to portray large game animals and focused instead on the kinds of animals that people of that period preferred to hunt.

○Some researchers believe that the paintings found in France provide more explicit evidence of their symbolic significance than those found in Spain, southern Africa, and Australia.

○The cave paintings focus on portraying animals without also depicting the natural environments in which these animals are typically found.

○Some researchers have argued that the cave paintings mostly portrayed large animals that provided Upper Paleolithic people with meat and materials.

○Besides cave paintings, Upper Paleolithic people produced several other kinds of artwork, one of which has been thought to provide evidence of complex thought.

参考答案：

1. ○1

2. ○2

3. ○1

4. ○4

5. ○4

6. ○3

7. ○4

8.○2

9. ○3

10. ○1

11. ○3

12. ○2

13. ○3

14. ○1 5 6

参考译文

6月5日托福考试阅读真题回顾一览

您好，我是专注留学考试规划和留学咨询的小钟老师。在追寻留学梦想的路上，选择合适的学校和专业，准备相关考试，都可能让人感到迷茫和困扰。作为一名有经验的留学顾问，我在此为您提供全方位的专业咨询和指导。欢迎随时提问！
如今托福6月5日的考试已经完成，而即将要在之后去考托福的学生对于这次考试的真题是比较感兴趣的，阅读托福真题回顾也确实能够帮助学生们的备考。那么小钟老师今天就给大家带来关于托福6月5日阅读考试的真题吧。
2023年6月5日托福阅读真题：
1、北极狐；
2、火星消失的大气层；
3、美国公路；
4、埃及金字塔的结构；
5、planet的形成，粒子在disc上逐渐撞击形成planet around the sun；受到supernova发射的影响
6. the migration of lizard in pacific island；
7、the trade in near east；
8、the ornament of shell；
9、lizard在太平洋上的孤岛怎么colonize；
10、外来文化对法老和当地国家的影响；
11、植物的进化来防止被吃，吸引传粉者。以及动物适应这些进化，比如白蚁自己培养食物；
12、一种蜥蜴是怎么去到isolated island的；
13、Atlantic Culture，有一个学家，写了一本书，然后里面就说了一个什么两个Revolution，它主要讲声neolithic新石器时代revolution，就说的Agriculture的事情。
托福阅读考试提高技巧：
1.主题段和主题句的关键词
托福文章中的主题段和主题句都是参与搭建文章结构的，因此记录它们中的几个关键词对于把握全文的结构非常重要。同时，文章中有很多的重要信息也会包含在这部分内容中。
2.时间和数字
一般来说，出现时间概念的文章或段落通常和时间顺序有关，作者会用不同的时间点串出一条时间线索。而个别数字的出现则意味着这个数字所阐述概念的重要性是不容忽视的，因此，除非文章中出现了数据堆积的现象，考生都需要把数字记录下来。在记录时间和数字时需要注意两个问题，一是在记录时间的同时要同步记录下该时间点所发生事件的关键词，二是无论文章中的时间和数字是什么形式，考生在记录的时候都一律记录成阿拉伯数字，以便于之后做题时的查询。
3.人名、地名和专有名词
这些概念在文章中出现的时候，一般都会出现大写字母或引号等标记，非常有利于信息索引和定位。此外，当提到这几个具体的概念时，文章通常是在用这些概念说明某个理论或者观点，因此记录下这些概念对于理解相关理论和观点可以起到一定的辅助作用。
4.举例主体
有的时候，为了说明某些理论和观点，文章中会出现大段的举例文字。实际上，托福考试中考查这些例子具体内容的时候非常少，而更多的是考查作者使用这些例子的原因或它们所证明的观点。因此，考生在快速笔记中只需要记录下例子是什么就可以了，至于例子中所阐述的具体信息，可以适当忽略。
5.新概念和局部核心概念
所谓“新概念”是指当考生读到文章某个位置时，之前没有出现过的概念。这种新概念的出现，意味着已有的概念已经不能说明这里要阐述的问题，所以，新概念的出现必然也意味着一个重要信息的出现。而“局部核心概念”是指在连续的几个段落中集中阐述的主题概念，对于这种概念来说，无论是作为观点还是举例大家都应该注意，因为它显然是作为重点在文章中被强调的。
托福阅读速度提升技巧：
1.通读全文
初学者在看到这样题目的时候，会先把文章看完甚至翻译一遍，认为理解了自然就能选对答案。这是正确率最高最靠谱的做法，但最大的缺陷是考试时无法在短时间内理解文章并且做完题目。所以在阅读能力不是很强的时候，尽量不要使用看完理解再做题的方法。
2.把握文章结构类型
所谓结构，即文章的骨架子。
托福阅读文章是纯学术体（Academic），是学生在大学里天天都能接触到的教科书风格的文章，这些文章涉及人文社科和自然科学，均议论文、说明文，最显著的特点是呈板块结构。因此考生要做的就是通过大量阅读同类文章学会把握这种学术体类型的文章结构，从而提升对此类文章的熟练度，确保在考试中能够第一时间摸准文章结构找到自己需要重点查看的内容。
3.掌握技巧，选择性阅读
一篇托福阅读平均字数为700字左右，还是学术性较强的文章，想要全文读懂还能记得自己所看到过的内容，这需要超强的阅读能力。但对于大多数备考学生，这还是存在一定难度的，所以解题过程中最关键的是有选择性阅读，这就要求我们一方面，多做练习，熟悉文章结构，另一方面，好好利用tpo，大量练习，概括总结分析每一类题型。略读也是一种疾速阅读窍门。读是一种从很多的资猜中敏捷查找某一项详细现实或某一项特定信息，如人物、事情、时刻、地址、数字等，而对其它无关有些略去不读的疾速阅读办法。但这种方法是建立在极强的逻辑能力之上，经验老道的托福考霸会从逻辑词、架构词中判断出主要信息的大致所在，一找一个准。
4.掌握定位阅读技巧
善于定位阅读，掌握关键词进行定位的技巧。可以帮助大家加快解题速度，提高正确率。因为大部分托福阅读题目考查的是考生对文章细节的理解，答案基本上都能在文章中找到。
拿到一个题目，我们先找题干中可以用来定位的关键词，比如专有名词、数字、符号等，然后根据关键词回到原文进行定位。有时候文章中不一定会出现和关键词一模一样的词，但很可能是关键词的同义替换词。

希望以上的答复能对您的留学申请有所帮助。如果您有任何更详细的问题或需要进一步的协助，我强烈推荐您访问我们的留学官方网站 ，在那里您可以找到更多专业的留学考试规划和留学资料以及一对一的咨询服务。祝您留学申请顺利！

以上就是蜕变培训网为大家带来的托福口语真题范文 月球旅行 6月5日托福考试阅读真题回顾一览，希望能帮助到大家！